Olivier Messiaen's epic piano masterpiece, the Vingt Regards sur l'Enfant-Jésus (Twenty Contemplations on the Infant Jesus), has been very well-served on disc ever since Yvonne Loriod's pioneering recording on Erato, and there are great interpretations to suit every taste, from the virtuosic (Béroff, Peter Serkin, Aimard) to the reverential (Austbø, Kars), and everything in between (Osborne, Muraro, Loriod). To this distinguished list, add Bertrand Chamayou's new recording. Chamayou's vast expressive palette, sensitivity to color and splendid technique have been defining features of his artistry ever since his standard-setting complete recordings of Liszt's Années de pélerinage and Ravel's piano works. And in the Vingt Regards, there is probably no pianist today better suited for the job of realizing Messiaen's unprecedented expressive and technical demands.